ACAE Gallery | Australasian Cultural Art Exchange | Featuring Contemporary Artists from Australasia

About

Featuring Contemporary Artists from Australasia

ACAE Gallery is a cultural venture presenting artworks and exhibitions by contemporary Australian and Asian artists.

Established in 2019, ACAE Gallery is a cultural venture presenting artworks and exhibitions by contemporary Australian and Asian artists. Our bilingual service, delivered in English and Mandarin, offers access to a range of artworks and public programs. ACAE Gallery also presents a select range of Chinese antiquities and collector advice. ACAE is our acronym as the Australasian Cultural Arts Exchange.

Exhibitions

James Smeaton

31 May - 28 June 2025

Kara Morrison - Forest Valley Atelier

3 May - 24 May 2025

Barks: A Rare View

5 April–17 April 2025

Window on Asia

Saturday 8 March - Saturday 29 March 2025

Summer Salon

1 January - 28 February 2025

ART021 Shanghai Contemporary Art Fair

7 November – 10 November 2024

Crystal Wu 吴舫: Symphony of Colours

30 November – 21 December 2024

Sydney Contemporary

4-8 September 2024

Chinese Rhythms

10 August 2024 – 7 September 2024

Tony Scott: Heading for Destination - China

27 April 24 - 25 May 2024

Thang Do: New Sculptural Works

27 April 2024 - 25 May 2024

GOLDGOLDGOLD

16 March - 13 April 2024

An Kun: Behind The Screen

3 February - 2 March 2024

Research

The Australian Chinese Art Research Institute (ACARI) is a privately funded research facility dedicated to the understanding of Chinese art in all its forms and influences. Based at ACAE Gallery, our research is especially focused on the significance of Chinese art across the local region.

James Smeaton: new works on paper

James Smeaton's new exhibition at ACAE Gallery focuses on the iconic Mt Agung in Bali. Reviewed by Tingyue Zhang.

China at the 59th Venice Biennale: The Milk of Dreams

For the Australian Chinese Art Research Institute, artist and academic Kate Renney made a tour of the China Pavilion at the 59th Venice Biennale. Kate's subsequent review brings to light intersections between new technology and the Surrealist inspired theme of the Biennale under the sub-heading of The Milk of Dreams.
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